- Buy our books in your preferred format
- Review our books on Amazon, BN, Goodreads, and your blog
- Buy copies of the books for your friends and family
- Ask them to review them, too
- If you have friends who like the genre, recommend our books
- Mention us on social media channels you use, with links to our books
- Interview us for your blog, if you have one.
- Ask us for book cover images and useful URLs that you can post
- Come to any events we might have
- Suggest our work to book clubs you’re involved with
- As us to come and talk to groups you’re a member of
- Share your thoughts and ideas for self promotion with us
- If you bought our stuff, tell your friends in person and on social media
- Pimp us every which way, but loose
Take a look at this blog post by Ira Blacker. (Note, I had to remove these links because Ira’s webmaster thinks I’m spam.)
Interesting, isn’t it.
What is equally interesting is the discussion that has arisen from Ira’s discussion about this on LinkedIn. Two of the comments suggest that Amazon should be avoided as a publishing choice. I can see why the posters would say that, but there are two or three things that they don’t quite understand.
- Amazon is still the 800lb. gorilla (ie. powerful enough to have draconian policies and get away with it)
- Amazon is 51% of the US epublishing marketplace
- Amazon is almost 19% of the GLOBAL epublishing marketplace
Any author that wants to participate in epublishing needs to be aware that the game is not set up for their benefit. We are content providers for economic giants that are going to make money off of us one way or another. On the plus side, we aren’t doing it for free.
Whether we’re being paid enough for the services we render is another matter entirely.
For a change, I’m posting the article and the link.
Be where you’ve been
My last post was about fictionalizing yourself for the purposes of kicking your story development into gear. This post is along similar lines.
Use places you’ve actually been as settings for your work. Try locations that have had a profound impact on you in some way. Another option is to fictionalize places you’ve been frequently.
Why profound impact or frequency? Your words convey the experience of where you’ve been. Familiarity or repetition produce more data in your mind for you to use in your writing.
I’m sure you’ve heard about big name writers who travel to the location of a proposed novel, stay there for X amount of time, and write their brains out while they’re in town. Well, as newbies, we don’t have the budget to nip off to Kathmandu for a month, or hole up in Las Vegas for just long enough to lose money and generate 20,000 words.
What we’ve got is all the data that remains in our minds from places we’ve been. Take that framework and build your exotic location, or write it as you saw it and experienced it. Either way, you’ve got real experience to feed into the story and your readers will pick up on it.
Since I know my work better than anyone else’s, I’ll give you two examples from my first book, “Blood-soaked and Contagious”. The primary setting of the book is the intersection of Route 29 and Glebe Road in Arlington, Virginia. Why? Every time I go out to the blacksmith shop to beat the snot out of hot metal, I turn left at the traffic light there. Also, it seemed to me that area would be a great place to settle in the middle of a slow zombie apocalypse, because there’s a hardware store one block to the side of that intersection.
Really, if you had to “saunter vaguely downwards” as a civilization, wouldn’t you like to have goods to trade? Of course you would! So I made Frank (the main character) the de facto owner of the store. It made a certain amount of sense, and I think, added a little more realism to the bloody goings on.
Later on in the book, there’s a flashback to the day Frank first hears the news about people coming back to life. He’s hanging out in the Sheep’s Heid pub in Duddingston, Scotland. I’ve been to that pub (to discover the bartender’s sister is married to an American, and they live about 30 minutes away from where I do, here in the Washington, DC area), and it made an impression on me. (To say nothing of the world being WAY TOO SMALL!)
I think you get where I’m going here.
What you’ve done, and where you’ve been, greatly inform your writing. Your feelings and experiences lend reality to the words, and help your reader suspend disbelief. They’ll sink deeper into your story if they can float away on something that feels real, rather than one-dimensional descriptions that gloss over details.